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Daoa
The 64 figures

Yi Jing · Chinese tarot

Abundance

Hexagram 55 of the Yi Jing · Fēng

The figure

Thunder above Fire: movement and clarity at their height, the blazing noon. The image of abundance, of the peak that does not last.

What this figure illuminates

Abundance lights up moments of fullness, of dazzling success. But the zenith is also where the decline begins: wisdom is to enjoy the summit without believing it eternal.

For a decision, the figure invites you to inhabit the full moment without clenching: “how do I enjoy this abundance while lucidly preparing for what comes after the peak?”.

The classical text

The Judgment

Abundance: fullness and its success. When you reach the height, do not grieve that it must pass — be like the sun at noon, and give while the light is full.

The Image

Thunder and lightning both arrive at their height. Seeing this, the noble person judges disputes and metes out justice with precision.

The Six Lines

  1. First line

    You meet the one whose measure matches yours. Though you are alike, joining is no error — go on together, briefly, and it wins approval.

  2. Second line

    At high noon the light is so curtained you see the stars — clarity blotted out by what stands between. Do not force through the distrust; let sincerity open the way, and good fortune.

  3. Third line

    The eclipse deepens — at noon you see even the faintest star, and your right arm is broken; you cannot act. No blame for the failure, for the darkness is not yours.

  4. Fourth line

    Still curtained at noon, the stars visible — but now you meet one who is your peer, and the light begins to return. Good fortune.

  5. Fifth line

    You draw brilliant, capable people around you. There is cause for praise and congratulation — good fortune.

  6. Sixth line

    You raise a great house, but it only walls you in — you peer out the door on stillness, no one there. Cut off in your own abundance for years: misfortune.

Daoa's wording, written after the classical reference translations, now in the public domain: James Legge (1882) and Charles de Harlez (1889).

A question to keep

How do you inhabit this full moment without believing it eternal?

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